Complementary Shapes
One person turns to the person next to them & makes a sound & motion,
person 2 responds with complementary sound & motion.
play is passed around the circle (2 to 3, etc.)
by Erica MarxGoal
develop responsiveness without using words
genuine response, emergent interactions
practice initiation
Instructions
One person turns to the person next to them & makes a sound & motion,
person 2 responds with complementary sound & motion.
play is passed around the circle (2 to 3, etc.)
Coaching notes: depending on the group's readiness, focus can be put on making dynamically opposite choices, thinking about physical levels (e.g. high vs low), quality of movement (e.g. sharp/rigid vs. loose/fluid), vocal quality (e.g. loud vs. quiet, long vs. short), etc. The first step is getting everyone out of their heads and trusting their gut instinct. After some time or when this exercise is revisited, focus can be put on dynamics.
Background
Fred & Erica conversation for Foundations
Author
I lead a team that helps multi-stakeholder groups tackle high-stakes, complex work with clarity and connection. We design and guide strategic planning sessions, workshops, retreats, and conferences where people think well together, make sound decisions, and take coordinated action. Our team is trained in improvisational theater, and as active members of the International Applied Improvisation Network, we bring adaptable, creative methods that build trust, surface essential perspectives, and keep momentum strong. We also share what we know, offering facilitator training that blends inclusive process design with the flexibility and presence of improv.
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